Category Archives: On Writing

Writing Around the Point

Whenever I sit down to work on my novel in progress, I try not to think too hard about the fact that I am eventually going to cut 70-90% of what I write on any given day.  It’s painful to think about, even if it’s necessary.

So it’s weird that I have totally embraced another writing technique: writing outtakes.  For my current work in progress, I have written nine different outtakes and extra scenes, ranging in length from 15,000 words to 22,000 words.  Every time I do it, I feel like I am wasting time, or at the very least, indulging in what I like to call “productive procrastination”.  (If you spend your time organizing your to-do list to avoid actually doing anything on it…that’s productive procrastination.)  Some of these stories are scenes from the novel in other points of view, some are completely separate, some are background information that I need for the main story.  At two key points in the story, where several characters converge, I actually found it helpful to write the scene in several other characters’ points of view BEFORE I tackled it from my main character’s viewpoint.

So now, whenever I am struggling with my manuscript, I set it aside and choose another character to write about, or pick a moment in the past to write about.  Then when I come back to the main manuscript, more often than not, I have a much better idea of how to proceed.  It makes sense; if you got stuck writing an article or nonfiction topic, it would probably be because you need to do more research.  These side stories are “research” on my characters.  I have pages and pages of notes…

notes

 

…but for some reason it doesn’t all become “real” to me until I write it in prose form.  My characters tell me things I hadn’t known before when they start interacting with others.

Right now I am finally working on the climactic scene of my work-in-progress, a scene where five characters and their messy hopes, desires, and insecurities collides.  I tried plotting it using color-coded index cards…

cards

…scribbling notes in notebooks, adding half-formed notes to Word documents.  And I have been working on this scene from the other characters’ points of view first, starting with the villain.  (Writing in her point of view may not be healthy, but it’s useful.)

So here’s my resolution: I am no longer going to let myself feel guilty about this.  It’s not a waste of time.  It’s necessary to make the final product better, because when it comes to writing a great story, there’s just no way to rush it.

Epiphanies

As we were driving home from church yesterday, my son and I were talking about Epiphany – in the religious sense – and epiphanies –in the James Joyce sense of “sudden and momentary showing forth or disclosure of one’s authentic inner self”.  I told him my favorite epiphany story – the story of how I realized that I had to be a librarian. I was in the fall semester of my last undergraduate year at the Catholic University of America, and one evening – I remember very clearly that it was a Tuesday around 5 pm – I walked into the university library stacks, breathed in and thought, “I love the smell of books”.

Now, my memories of the next few minutes may be a little skewed, but I am pretty sure the ceiling opened up and a bright light shone and angelic voices sang. Or maybe that’s just how it felt. Because in that moment, I knew, without the slightest doubt, that I had to be a children’s librarian. I knew that, in my soul, I already was.

The reason I remember that this happened on a Tuesday night around 5 pm is that I had my children’s literature class that evening, and I remember arriving early and pelting the professor, Kristi Beavin (head of the children’s department at Arlington County Library), with questions about library school. I was so excited that I called just about everyone I knew that night, and stayed up all night researching library schools on my slow dial-up internet connection.

As much as that moment felt like a sudden revelation, it was really more about making a connection. All the clues had been there before. I loved children’s literature, and I had already started preparing graduate school applications for an MA in English, figuring that I would become a professor in that field.  I had adored libraries since I was a child. Books were my best friends. (My mom, in fact, had had a middle-of-the-night epiphany a few years before, at the time when I was an unhappy musical theater major, that I should switch to English, a major I had never even considered before despite the fact that I loved books and writing and I had been editor of the literary magazine in high school.)  I was already taking a children’s literature course in the education department and had been hearing about children’s services in libraries all semester. When I had presented the story “Mr. Fox” during class, the professor had written on my grading sheet: “You have a future as a storyteller, if you want one.”  (Note to teachers:  Don’t think your students don’t listen to you.  Look how I make a living now.)

So, all in all, when I look back at that moment, I think: what the hell was wrong with me? Why didn’t I see it until that moment? It was that moment of pure physical presence among the books (and, as my friend Marie Flanigan would say, perhaps being addled by the smell of book mold) that did it.

So after telling my son that story, I started thinking: what about becoming a writer? Was there an epiphany about that? And the answer is: nope. But I have always been writing, from the time that I wrote (bad) poems for extra credit using my spelling words in middle school.   (Maybe one day I will dig some up and post them here…if I am ever in the mood for complete humiliation.) Whether it was fanciful stories or fanfiction or articles or attempts at real stories, writing was how I always felt most comfortable expressing myself.

So I guess at some point I had a quieter epiphany, a gentler, less startling “disclosure of my authentic inner self” –  not that I wanted to be a writer, but that I already was.

 

Getting Out There

Last Saturday I made myself get out there and attend the Society for Children’s Book Writers and Illustrators regional conference.   Despite the fact that I have been writing with increasing degrees of seriousness for the last ten years, this was my very first writing conference.  I was not really looking forward to it;  I registered out of a sense of duty.   After all, if I am going to have mainstream books to promote soon, I will need to be out there more.  I need to force myself to – gulp – talk to people.

The morning session was fine enough, but I was still nervous.  And then, as I was getting a cup of tea, I saw a short woman walk by.  I thought, “Wow, she looks like Betty May” – Betty May, in whose children’s theater group I performed for ten years.  Betty May, who was without a doubt one of the formative mentors of my childhood.  Betty May, who was the first adult I ever met who knew how to respond when I randomly burst into tears.  (That happened often when I was a child – there’s a whole other post in that.)

betty
Me and Betty May, my hero.

Then I looked more closely, and realized that it WAS Betty May.  So I called out to her, we hugged and caught up.  And she is doing amazing things, just like she always has.  (Seriously, she just directed this play at the Kennedy Center.  She’s amazing.  Click on the link and go read the article.  I’ll wait.)

And as I stood there talking to her, I didn’t feel like a writer.  I didn’t feel like someone who communicates for a living in all my weird careers.  Because there were absolutely no words to tell her what she meant to me, what her quiet acceptance of me just-as-I-was meant to me as a kid, and still does now.    I hope the giant hug I gave her before she left conveyed even a tiny piece of it.

By the time we had started talking, the hallway had cleared out, and there were only a few people left to ask to take a picture to commemorate this reunion.  So guess who wound up taking our picture, and then standing around talking to us for the next hour?  Self-proclaimed “author and loudmouth” Chris Crutcher, who is, in a word, awesome.    Words fail me again when I think of the passion and humor he brought to his conversations with me and the other starry-eyed newbies at the conference.Me with Chris Crutcher!

And guess what?  I even managed to make some friends at lunch.  Other writers aren’t nearly as scary as they are in my head.

I still had to go and sit in an introvert’s time-out to recover when I got home though.  Some things take time.